You've probably heard some of the songs anyway but trust me having this thing around really gets you through emotional catastrophes, and those of Homeric proportions. What I'll do now is simply go through the ones you'll want to hear over and over again. It's big time, string-powered stuff that brings up a lot of sadness and feeling and whatnot, The Piano Has Been Drinking (Not Me) - Tom Waits - Small Change (Vinyl, but really it's just a beautiful song that Waits himself has said is about "throwing up in a foreign country.
That's what Tom does here. The hawking, not the walking. Waits' style, voice and But it's a fun one and humorous at times. It's four chords that sound kind of drunk and glass-eyed and runs primarily on the lyrics. It's funny, sad, heartbreaking, etc. Kind of those laughs that you sort of feel bad about laughing, y'know? Here Waits describes what sounds like a ratty lounge with shag carpeting, annoying patrons, disdainful waitresses, a vertically-challenged owner and other stuff you'd probably want to avoid but all of which Waits finds recognizable and harrowing all at the same time.
Now go on YouTube and find his performance of this song on "Fernwood Tonight," a spinoff talk-show with a script and wacky hosts. They're not really funny but Waits is hilarious and if you like his on-stage antics then you'll like this video, I guarantee.
There are also some rare versions of this song that sound a little more harrowing and skeptical floating around on the net, all of which are very interesting as well. Well, this song got me playing piano. For enjoyment. And I taught myself. Okay, enough self-promotion. This song is magic. It's slow and sort of Louis Armstrong-sounding Tom's voice on "Small Change" definitely brings Satchmo to mind and it's simply a great song. Piano, strings, saxophone, bass, drums. Oh, and the Voice. There's that, a drumset and not much else.
Mildly inappropriate for children, but what the hell. Generally speaking, I feel that if "Tom Traubert's Blues" is Waits' ballroom diamond, then this track here is the one he plays at the nightclubs and gets everyone feeling pretty much the same way the other one does. Beautiful song. And it's not even really my favorite Waitsian song, it's just one of those longer songs that usually gets a lot of attention.
Up to that point I'd enjoyed Waits' music very much but when I heard this song, I was hooked. Everything I wanted to hear in music exists in that song. Well, okay, I don't know, but it's a sweet, simple, relatively short track comprised of piano, the Voice, and maybe some bass. Yes, some bass, but lightly; it doesn't stick out and form the backbone of the song as in "Step Right Up. I skipped a few tracks for convenience but they're all good--"Bad Liver and a Broken Heart," "The One That Got Away," "Jitterbug Boy," and the title track--and simply, if you're a fan of Waits, chances are you probably already have this one and are imagining yourself bashing my brains in because I didn't duplicate exactly what you think about each of the tracks or I skipped your favorite or I said "Invitation" was better than "Tom Traubert," and if you don't know the songs on this album and would like to hear more of Waits, buy this one for sure.
If you're completely new to Waits, go to confession first and then buy this album because first of all it's a great place to start and secondly you're wasting time already. My favorite Tom Waits material. Just a unique talent. Sound quality is very good. Classic album, one of my personal Top Ten. Some masterfully-written lyrics. Songs like "Invitation to the Blues" and "Small Change" are practically literature, and Waits is a hell of a storyteller.
And, with his sandpaper voice and versatile piano style, he creates a smoky, seedy, gin-soaked-wonderland atmosphere like few others. If you are a true Tom Wait fan this will bring many hours of enjoyment but many will be turned off by sloppy and nonsense lyrics One person found this helpful. Singing, er, speaking, the blues. The blues of everyday, down and out, bowery bum existence.
This is the stuff that America, with all its vinyl counters and late-night places to hide from the cold with a hot cup of joe was made of.
I was sick through that whole period [ I'd been travelling quite a bit, living in hotels, eating bad food, drinking a lot - too much. There's a lifestyle that's there before you arrive and you're introduced to it. It's unavoidable. Waits recorded the album in reaction to these hardships. This is evident in the pessimism and cynicism that pervade the record, with many songs, such as "The Piano Has Been Drinking" and "Bad Liver and a Broken Heart" presenting a bare and honest portrayal of alcoholism, while also cementing Waits' hard-living reputation in the eyes of many fans.
The album's themes include those of desolation, deprivation, and, above all else, alcoholism. The cast of characters, which includes hookers, strippers and small-time losers, are, for the most part, night-owls and drunks; people lost in a cold, urban world. With the album Waits asserted that he "tried to resolve a few things as far as this cocktail-lounge, maudlin, crying-in-your-beer image that I have.
There ain't nothin' funny about a drunk [ I ended up telling myself to cut that shit out. Beyond the serious themes with The Piano Has Been Drinking (Not Me) - Tom Waits - Small Change (Vinyl the album deals, the lyrics are often also noted for their humour; with songs such as " The Piano Has Been Drinking " and "Bad Liver And A Broken Heart" including puns and jokes in their treatment of alcoholism, with the added humour in Waits' drunken diction.
The cover art features Waits sitting in a go-go dancer's dressing room, with a topless go-go dancer standing nearby. It is alleged that the go-go dancer pictured is Cassandra Peterson best known as the iconic character Elvira, Mistress of the Dark. Peterson, however, says she's not sure of the authenticity of this claim. Small Change received critical reviews equal to or better than Waits's previous albums, and was at first a surprise commercial success, rising to 89 on the Billboard chart within two weeks of its release.
Three weeks later, the album fell off the Billboard Topand Waits was not to better its position until 's Mule Variations. When asked in interview by Mojo magazine in if he shared many fans' view that Small Change was the crowning moment of his "beatnik-glory-meets-Hollywood-noir period" i. Well, gee.
I'd say there's probably more songs off that record that I continued to play on the road, and that endured. Some songs you may write and record but you never sing them again. Others you sing em Album) night and try and figure out what they mean. From Wikipedia, the free encyclopedia. This article is about the album by Tom Waits. For the film by Truffaut, see Small Change film. Tom Waits.
Retrieved March 6, With equal parts vaudeville, blues, jazz, industrial, and experimental, Waits has made a body of work that spans nearly four decades and seventeen studio albums, with a slew of fantastic live albums to mention as well. For the otherwise uninitiated, a foray into The Piano Has Been Drinking (Not Me) - Tom Waits - Small Change (Vinyl immense discography of Tom Waits is a daunting task.
Where does one begin? What period of his music is the best to listen to first, in order to best grasp the essence of the artist? After all, through his career Waits has made his way through a number of genres and styles, with guest musicians ranging from Les Claypool of Primus to Keith Richards to Carla Kihlstedt of Sleepytime Gorilla Museum. Click here to buy. If you want your Tom Waits vinyl with the strange factor cranked, then this is the record for you.
Originally created as the soundtrack for the play of the same name directed by Robert Wilson, with whom Waits would Album) many more times in the futureThe The Piano Has Been Drinking (Not Me) - Tom Waits - Small Change (Vinyl Rider is a front-seat pass into a fun-house from hell, a circus seen through the eyes of madness. Utilizing his piano and a set of strings sounds to maximum effect, the songs found on this album are much more personal; the album was recorded after a long period of touring and being on the road, during which time Waits had picked up his drinking habits significantly.
Pump organ, glockenspiel, Mellotron - Waits finds a way to make them all work together to create a fantastic, inventive record.
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